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Dominus Flevit
the site where"The Lord Wept"

Going uphill from the Kidron valley towards the Mount of Olives, a small church
stands watch over the city of Jerusalem. It is called "Dominus Flevit"
(The Lord wept) a very suitable place to indicate the location for the
Gospel account of Luke 19, 37-42.
Many beleived that the site of Christ's weeping over Jerusalem was unmarked until the time of the
Crusaders when they started to point out this site as
remembrance of this event. With the withdrawal of the Crusaders their church fell into
ruins. In 1518 a mosque existed on the site, presumably built by the Turks, but
to the locals it was always considered a madrasah (school). The place
was called el Mansouriyeh (the Triumphant) and also el Khelweh
(hermitage). Unable to obtain the ruin the Franciscans bought a small
property on the south side of the path leading up to the Mount of Olives and
built a small church there in 1891.
In 1913 a Miss Mellon built a small house in front of the Franciscan chapel,
and this passed to the Sisters of St. Joseph, who sold it to a Portuguese
lady named De Mello. In 1940 the Benedictine Sisters, in hard straits, sold a
part of the property to the Franciscans. The old boundary wall was moved to
make the division. The Sisters were not content with the rather poor wall
raised during the war, and so the Franciscans began the building of a more
suitable one in 1953. The foundations struck tombs, and there followed an
interesting excavation (1953-1955) of the whole property led by the late Fr.
Bellarmino Bagatti ofm.
The finds were beyond all expectation. A tomb of the Late Bronze period gave
finds which are important for the civilization of Jerusalem just at the time of
its conquest by the Hebrews. A necropolis used from 136 BC to 300 AD
produced a great amount of material. The necropolis had two periods each with
different styles and cultures. The first, the earlier is characterized by
Kokhim (ovenshaped) tombs running from 185 BC, while the second is
characterized by tombs with an arcosolium belonging to the 3rd and 4th
centuries AD. With the Kokhim tombs are closely connected the
sarcophagus and the ossuary; the first cut in hard stone (mizzi) follow
the motifs of classical art, both in structure and subject, in close artistic
relation with the Tombs of the kings and "Herod's" of the 1 cent. AD; the
ossuaries, on the other hand in soft stone (kacooley) follow a local
trade technique with architectonic and floral motifs.
On the ossuaries were found many more or less symbol signs (crosses,
tau, Constantinian monograms) and 43 inscriptions (Hebrew, Aramaic,
Greek) incised or traced with charcoal. Of interest is the recurrence of names
common in the New Testament, as Mary, Martha, Philo the Cyrene, Matthew,
Joseph, Jesus. For the religious, historical and artistic value of these tombs
consult Gli scavi del Dominus Flevit by Bagatti and Milik, Jerusalem,
1968.
A Byzantine monastery was also found: this belonged to the 5th century together
with a small church dedicated to St. Anne prophetess. This took back the christian piety
of the site to the byzantine period. It was over these runs of the byzantine
epoch that the Franciscans built in 1955 the present church designed by architect A.
Barluzzi.
From here comes to our minds the indescribable spectacle of that spring
morning, of that brilliant sun climbing up behind Olivet to the crystal clear
sky and enveloping in its light the splendid city stretching over the opposite
hills. The Herodian towers on Mount Sion glowed in the immaculate whiteness of
their marbles; lower down, magnificent palaces follow one another in many lines
like the various flights of steps of a huge amphitheatre; and finally in the
foreground, the Temple, a marvel of antiquity, the Temple that rose
majestically above the Valley of Kidron enhanced by its hundreds of monolithic
columns, by its towers covered with precious marble, by its celebrated doors of
bronze and by its golden laminae which reflected from every side the beams of
the rising sun. Jesus sees all this; and also He sees what to others is hidden;
He sees the Roman legions advancing from the north, to cast a trench about that
deicidal city; He sees the columns overthrown the towers hurled down, the
palaces smashed to pieces, the Temple consumed by fire and reduced to such a
ruin that no stone upon stone was left. He sees thousands and thousands of Jews
fallen by the sword and famine; He sees the fugitives scattered abroad among
all nations, and His countenance grows sad, his eyes are full of tears, and
from his lips come words of touching compassion.
CLICK ON IMAGES TO SEE A LARGER PICTURE

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The present chapel
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Inside the chapel
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View over Jerusalem
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Sculpted altar base
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Wine-press
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Byzantine mosaic
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Ossuaries
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Decorated ossuary.
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Constatinian Monogram
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Jewish tomb
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Detail of ossuary
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Stone ossuaries
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THE FRIARS IN PILGRIMAGE AT THE SHRINE
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